Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Francois Pascal Simon Gerard
Ossian on the Bank of the Lora, Invoking the Gods to the Strains of a Harp.

ID: 71502

Francois Pascal Simon Gerard Ossian on the Bank of the Lora, Invoking the Gods to the Strains of a Harp.
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Francois Pascal Simon Gerard Ossian on the Bank of the Lora, Invoking the Gods to the Strains of a Harp.


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Francois Pascal Simon Gerard

12 March 1770 - 11 January 1837) was a French painter born in Rome, where his father occupied a post in the house of the French ambassador. His mother was Italian. As a baron of the Empire he is sometimes referred to as Baron Gerard.  Related Paintings of Francois Pascal Simon Gerard :. | Portrait of Jerome BonaparteJerome Bonaparte | Portrait of Louis XVIII | Portrait of Countess Maria Walewska. | Portrait of the Empress Josephine | Portrait of Countess Maria Walewska |
Related Artists:
Bonifacio Bembo
Italian Early Renaissance Painter, active 1444-1477
Gottfried Trimborn
painted Rheinfahre in 1920
Nicholas Hilliard
1547-1619 British Nicholas Hilliard Galleries Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.






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